Coordinates

Circles

2022
ambience, seven objects 150 x 150 x 150 cm, seven-channel video projection of vector oscilloscope graphics, sound, 10′ loop
The artwork was produced by the Vector Hack festival 2022.

Immersive ambient light-sound installation in which shapes create sound and vice versa. The choreography of lights, colors and shapes synchronously circulates around seven axes, floating in three-dimensional projections and drawing circular images on the floor.

Vortex

2014
object, video installation, metal hoop, translucent fabric, cord, video projection, silent, loop 1’
300 x 300 x 500 cm
The author of the video is prof. dr. sc. Davor Horvatić.
Visitors’ Award – Kaptol Center, XII Triennial of Croatian Sculpture, Zagreb, 2015

The circular projection screen collapses at its center into the third dimension, turning into a line directed towards the projection source. The projection, which thus covers a large range of depths, depicts the random motion of particles (Brownian motion) along a spiral trajectory towards the retracted center of the screen where it creates visual acceleration.

Satellites

1995
object, three elements: metal construction, translucent fabric, LED, slide projections
300 x 100 x 80 cm

The same projection of the computer-generated structure projected onto three elements receives different visual accelerations towards their center points according to the protrusion level.

Changes

1994
five elements: metal construction, translucent fabric, light bulbs
200 x 200 x 100 cm
Sculpture Collection of the Museum of the Contemporary Art in Zagreb

According to the angle and proportions of the inner and outer rim of each of the five objects, the membrane that connects them changes from flat to bent by 45 or 90 degrees. An observer walking around the objects notices the tension between the forms that follow his movement and those that ignore it.

Flow

1994
object, five elements, metal construction, translucent fabric, light bulbs
250 x 180 x 100 cm

Five linearly arranged objects with dotted light sources in their centers. The proportions and orientations of the circular shapes of the inner and outer edges of the light-receiving membranes gradually change from object to object, simulating the spread of light from two sources intersecting at a given angle.

Reflection

1994
object, five elements: metal construction, photographs on weaving, translucent fabric, light bulbs
160 x 100 x 160 cm
Art Collection of the Museum of Modern and Contemporary Art, Rijeka

The circular shapes simulate the spread of light by carrying on their halves the projections of leaf shadows. Points of light in their centers form a series towards the focus where they are “reflected” back into space. The “reflected” points are connected to the rims of their sources, creating three-dimensional shadow-like shapes.

In Front and Behind

1994
object, metal construction, translucent fabric, photograph on weaving, inkjet print on foil, plexiglass, LED
140 x 200 x 80 cm

A black transparent fabric stretched in front of the photograph hinders the focus of the gaze, creating the illusion that the shadows of the leaves on it are freed from its surface. Two LEDs at eye level are depth coordinates, but from a frontal point of view they overlap and the perception of depth is lost.

Up and Down

1994
object, metal construction, translucent fabric, spotlight, LED, plexiglass, inkjet print on foil
100 x 200 x 100 cm
Sculpture Collection of the National Museum of Modern Art, Zagreb

The light from a spotlight placed above the object, passing through the leaf print on top of it, casts a projection on the floor, inside the construction circle. The focal points of the print and the projection are indicated by a red and a green LED dot, respectively.

Passage

1993
object, metal construction, translucent fabric, light bulbs, inkjet print on foil, plexiglass
22 x 170 x 122 cm

Two connected objects whereby the second object, slightly distorted in shape and in negative in relation to the first, being its three-dimensional shadow.

Sundial

1993
object, wood construction, translucent fabric, pastel drawing, light bulbs
210 x 153 x 210 cm

The sundial hand and its materialized shadow.

Oval

1997
object, metal construction, translucent fabric, inkjet print on foil, fluorescent light tubes
160 x 100 x 30 cm
Art Collection of the Croatian Chamber of Economy, Zagreb

Two luminous lines placed perpendicular to the wall separate the transparent, shadowless membrane from the surface with the imprint of leaf shadows.

Horizon

1995
ambience, translucent fabric, electric motors, electronically programmed light and movement
500 x 200 x 500 cm

The shadows of the leaves on two inclined projection surfaces slowly circle clockwise, one continuously and the other in leaps, like the hand of a mechanical clock. They touch at the horizon line, where the sensory perception of time meets the concept of its measurement. The light intensity of the projections imperceptibly slowly fades into darkness and rises back to full light in a pulsating cycle.

Forrest

2001
object, digital print, plexiglass, LED
80 x 80 x 160 cm
1^st Award, 3^rd International Triennial of Graphic Arts, Prague, 2001.

On four transparent circular surfaces there are prints of images experienced by an imaginary observer of the forest in four consecutive moments. They are slightly modified from each other, simulating the process of perceiving with a zoom towards the central point, the center of concentration and interest.
The line leading to the focus of attention is marked with flashing LED crosses.

Clock 2

1997
object, copperplate, digital print on foil, light source, electric motor
80 x 80 x 10 cm
Art Collection of the Museum of Modern and Contemporary Art, Rijeka

In the dark, a beam of light from the center of an object illuminates only a narrow strip of its surface, slowly rotating clockwise. Only when the beam has traversed the entire circle is it possible to use memory to construct an image of the entire object.